Film History and Theory
University of the South Pacific
Area of Study
English, Film Studies, Literature, Media Studies, Radio/Television/Film
Taught In English
Course Level Recommendations
ISA offers course level recommendations in an effort to facilitate the determination of course levels by credential evaluators.We advice each institution to have their own credentials evaluator make the final decision regrading course levels.
Credits3 - 4
Recommended U.S. Semester Credits3 - 4
Recommended U.S. Quarter Units4 - 6
Hours & Credits
This is a course in film history and theory. It introduces students to seminal moments in cinema history, to important theoretical approaches in film studies as well as to key figures and movies in world cinema. By the end of the course, students will have a better understanding of film history, theory and film aesthetics as well as an appreciation of cinema from different parts of the world.
- Demonstrate the ability to put across ideas in writing and in speech with clarity
- Demonstrate the ability to generate new and original perspectives by examining film and written texts
- Demonstrate the ability to analyse and critically appraise film and written texts
- Demonstrate the ability to work in a team to achieve a desired outcome
- Film History and Theory
- Third Cinema
- Indina Cinema - Bollywood and Beyond
- French New Wave
- Amercian Cinema
- Japanese Cinema
- Iranian Cinema
- Oceania Cinema
- Soviet Cinema
- African Cinema
- German Cinema
- Italian Cinema
- The Liveliest Art (Arthur Knight)
- Portrait of a Director: Satyajit Ray (Marie Seton)
- 'Structuralism and semiotics: The Foundations of contemporary film theory? (What is Film Theory? ?Richard Rushton and Gary Bettinson)
- Apparatus theory: Jean-Loius Baudry and Christian Metz(What is Film Theory? - Richard Rushton and Gary Bettinson)
- Cinemas of the other: Postcolonialism, race and queer theory (What is Film Theory? - Richard Rushton and Gary Bettinson)
- Bollywood Cinema: Temples of Desire (Vijay Mishra).
- Film History: An Introduction (Kristin Thompson and David Bordwell).
- Contemporary Film Theory (Anthony Easthope ed.).
- A Social History of Iranian Cinema - Volumes 1-4 (Hamid Naficy)
- Cinema 1: The Movement Image (Gilles Deleuze)
- Cinema 2: The Time Image (Gilles Deleuze)
Courses and course hours of instruction are subject to change.
Eligibility for courses may be subject to a placement exam and/or pre-requisites.
Some courses may require additional fees.
Credits earned vary according to the policies of the students' home institutions. According to ISA policy and possible visa requirements, students must maintain full-time enrollment status, as determined by their home institutions, for the duration of the program.
Please reference fall and spring course lists as not all courses are taught during both semesters.
Availability of courses is based on enrollment numbers. All students should seek pre-approval for alternate courses in the event of last minute class cancellations
Please note that some courses with locals have recommended prerequisite courses. It is the student's responsibility to consult any recommended prerequisites prior to enrolling in their course.