Totalitarian Art in Fascist Italy, Nazi Germany and the USSR

University of Otago

Course Description

  • Course Name

    Totalitarian Art in Fascist Italy, Nazi Germany and the USSR

  • Host University

    University of Otago

  • Location

    Dunedin, New Zealand

  • Area of Study

    Art History

  • Language Level

    Taught In English

  • Prerequisites

    18 200-level ARTH or HIST points

  • Course Level Recommendations

    Upper

    ISA offers course level recommendations in an effort to facilitate the determination of course levels by credential evaluators.We advice each institution to have their own credentials evaluator make the final decision regrading course levels.

    Hours & Credits

  • Credit Points

    18
  • Recommended U.S. Semester Credits
    3 - 4
  • Recommended U.S. Quarter Units
    4 - 6
  • Overview

    A comparative interdisciplinary examination of the entanglement of art and politics in the visual culture (paintings, photography, political posters, propaganda exhibitions, film) and architecture of the European single-party states.

    This course is a comparative study of the art, visual culture, and architecture of the 20th-century European single-party states. We begin by considering the roots of totalitarian art in the avant-garde and modernist movements of the early 20th century, when artists sought to transform society through the creation of entirely new artistic forms of mass appeal. After examining the distinct ideologies and their manifestation in the art and visual propaganda of the various regimes, we consider a number of comparative topics, including the representation of each regime's ideal "new person", propaganda exhibitions, the leadership cults of Hitler, Mussolini, and Stalin, and the urban planning and architecture for the capitols of Berlin, Rome and Moscow. We also consider the symbolic confrontation of Fascism and Communism at the Paris Exposition of 1937, followed by an exploration of the war art and visual propaganda produced by Germany and the USSR during WW2. In conclusion, we consider the legacy of totalitarianism in contemporary art and recent developments in Eastern Europe, including the growing authoritarianism of Putinism and the censorship of contemporary art in the Russian Federation. The bulk of assessment is devoted to a semester long research project on a topic developed by the student in consultation with the lecturer.

    Learning Outcomes
    - Deepen students' knowledge of the range of art produced under the patronage of a variety of 20th-century political regimes and to develop a critical understanding of the political, artistic, and ethical issues relevant to studying this art
    - Develop awareness of the significance of this art and its reception to the broader histories of 20th century and contemporary art
    - Cultivate independent research and self-motivated learning

Course Disclaimer

Courses and course hours of instruction are subject to change.

Eligibility for courses may be subject to a placement exam and/or pre-requisites.

Some courses may require additional fees.

Credits earned vary according to the policies of the students' home institutions. According to ISA policy and possible visa requirements, students must maintain full-time enrollment status, as determined by their home institutions, for the duration of the program.

Please reference fall and spring course lists as not all courses are taught during both semesters.

Availability of courses is based on enrollment numbers. All students should seek pre-approval for alternate courses in the event of last minute class cancellations

Please note that some courses with locals have recommended prerequisite courses. It is the student's responsibility to consult any recommended prerequisites prior to enrolling in their course.